8.31.2010
snaps, camp zoe, missouri.
snaps' notes in my moleskin, verbatim -
"ghetto sexual, cliff, freakadelic, whispers of molly and mushrooms on a rocky path, sandfly slaves, learning to alliterate, aborted fungus among us, lesbionist, war wounds, river shoes, bad techno, get nasty, taxi rides, waving leaves, stellar noise, meditating with buddah, glowsticks, barbra steisand and superman, mining hats, glamour hippie circles, frunchy, tangible porn, bleeding eyes, 4 wheelers, dreadlocks, butter flies nomad bruno, green balls with sticky milk."
snaps' notes in my moleskin, verbatim -
"ghetto sexual, cliff, freakadelic, whispers of molly and mushrooms on a rocky path, sandfly slaves, learning to alliterate, aborted fungus among us, lesbionist, war wounds, river shoes, bad techno, get nasty, taxi rides, waving leaves, stellar noise, meditating with buddah, glowsticks, barbra steisand and superman, mining hats, glamour hippie circles, frunchy, tangible porn, bleeding eyes, 4 wheelers, dreadlocks, butter flies nomad bruno, green balls with sticky milk."
kind of infatuated but only sometimes, danke schoen @ the cooks house, new orleans.
one of the most beautiful singers and guitar players that have ever graced the soundwaves to my eardrums.
"roses are red, daises are yellow and flowers are dead..."
I just texted him asking what he was doing on wednesday night. he's back in indy, back to his origins, back to his roots.
it's only fitting that this picture shows your back. goodbye, danke schoen.
* "do you have plans wednesday or is that a silly question? I'd really like to see you."
"Im back in indiana 4 good"
"that is depressing, but I'll see you one day. don't forget about me. <3."
"Why. So you can lead me on and stand me up? How would i ever see you anyways. Im not goin back there."
it's what I do best.
a man, his motorcycle, and his typewriter.
meandering down frenchman street one night - looking down @ this half sheet of now dirty, crumpled printer paper apparently the night of june 19th, 2010 -
I came upon a poet.
I slowed my already lethargic steps and tilted my head @ this curiousity. this kid had parked up his bike in front of the blue nile, set up his tv dinner tray, lugged out his typewriter, and was selling stanzas by the line. he had two comrades with him, a languished looking man of about 35, clearly disinterested in his typewriter because of his obvious inebriation, and a young lady who seemed to have a severe case of writer's ... dead. her fingers were still, her hair was still, her everything was so unmoving. but this guy, he was deliberate in all of his strokes. it didn't look like he was putting any forethought or afterthought into any of his strikes on the keys, he was only thinking just then, in that fraction of a second as he thought of the most glorious word to come next.
poetry is an empty outlet of literature, in my most humble, having-poetry-of-my-own-published opinion. I would prefer to have things said simply, and unless it's about my fucking surprise party, I don't want to have mysteries to be analyzed. I don't have the will. trying to figure out the human species as a whole is easy. statistics, population, control groups. figuring out a person - an individual, a single cell - it's a macro fucking nightmare. you can say beautiful things without needing to say them in veiled, metaphorical terms. what's the point in speaking if no ones going to understand you?
but this guy seemed good.
I was broke. I had nothing but coin money in my wallet. I approached his table, opened my wallet upside down, and let all the metal I had fall from it, giving him not only my change but a king-cake baby and a safety pin.
"can I get a haiku for this?"
'quarter'
waning
quartermoon:
small change
- allen andre
nola
6/19/10
I came upon a poet.
I slowed my already lethargic steps and tilted my head @ this curiousity. this kid had parked up his bike in front of the blue nile, set up his tv dinner tray, lugged out his typewriter, and was selling stanzas by the line. he had two comrades with him, a languished looking man of about 35, clearly disinterested in his typewriter because of his obvious inebriation, and a young lady who seemed to have a severe case of writer's ... dead. her fingers were still, her hair was still, her everything was so unmoving. but this guy, he was deliberate in all of his strokes. it didn't look like he was putting any forethought or afterthought into any of his strikes on the keys, he was only thinking just then, in that fraction of a second as he thought of the most glorious word to come next.
poetry is an empty outlet of literature, in my most humble, having-poetry-of-my-own-published opinion. I would prefer to have things said simply, and unless it's about my fucking surprise party, I don't want to have mysteries to be analyzed. I don't have the will. trying to figure out the human species as a whole is easy. statistics, population, control groups. figuring out a person - an individual, a single cell - it's a macro fucking nightmare. you can say beautiful things without needing to say them in veiled, metaphorical terms. what's the point in speaking if no ones going to understand you?
but this guy seemed good.
I was broke. I had nothing but coin money in my wallet. I approached his table, opened my wallet upside down, and let all the metal I had fall from it, giving him not only my change but a king-cake baby and a safety pin.
"can I get a haiku for this?"
'quarter'
waning
quartermoon:
small change
- allen andre
nola
6/19/10
8.30.2010
to be short - I never wanted it to happen this way. I thought it would pan out, spread evenly, and taste delicious. instead it formed into hideous little mounds of self loathing and dried with a crust of sour intentions.
like, really. how the fuck am I supposed to fix this?
abandoned warehouse, terry parkway, new orleans.
like, really. how the fuck am I supposed to fix this?
abandoned warehouse, terry parkway, new orleans.
Subscribe to:
Posts (Atom)